Art of storytelling: Cinema and literature unite at White Ow
Art of storytelling: Cinema and literature unite at White Owl Festival
‘Frames & Pages: Storytelling across cinema and literature’ on the final day of the 2nd edition of ‘Literature Festival & Book Fair,’ organised by The White Owl in partnership with Penguin, at Zone Niathu by the Park in Chümoukedima
Abu Metha in
conversation with Nilanjan Bhattacharya and Thejavituo Rio at the 2nd edition
of the “Literature Festival & Book Fair” held at Zone Niathu by the Park in
Chümoukedima on Wednesday.
DIMAPUR — “I know
it very well from my heart that I don't know anything about the Northeast. I
spent nine years making a film in Sikkim, but after doing that, I've realised
that I know very little because there's so much variety and so many
nuances—there are so many different communities that you know so little of. I
imagine I would love to do something in Nagaland. It's a very different vibe
here,” said documentary filmmaker, artist, and writer Nilanjan Bhattacharya.
He was participating in a discussion with Advisor to the
Chief Minister Abu Metha on ‘Frames & Pages: Storytelling across cinema and
literature’ on the final day of the 2nd edition of ‘Literature Festival &
Book Fair,’ organised by The White Owl in partnership with Penguin, at Zone
Niathu by the Park in Chümoukedima.
Related story: Bureaucracy, borders discussed at White Owl Literature Festival
Bhattacharya, while acknowledging that he does not have any
institutional training in filmmaking, had to work hands-on.
“I worked in the Bengal film industry, and then I made a
little bit of television work, fiction, and then some short films, but somehow
it was not working for me. I didn't like the whole television thing. So I
started moving towards documentaries because I was fascinated, and it's mainly
the indigenous people.
“I started travelling and then doing research, and I found
these people's knowledge, stories, and everyday life fascinating, and that
really dragged me into making documentaries,” the filmmaker shared.
Responding to Mehta’s query on the impact of his work on
telling stories about food and indigenous culture and how this can benefit
societies in a sustainable manner, Bhattacharya said that he writes about urban
food because he is “a very urban person.” But while talking about indigenous
food, he said that indigenous food can't really be separated as food because
every part of life is connected: “forest is connected, nature is connected,
culture is connected, and your everyday is connected.”
“The traditional food is actually related to the natural
surroundings, the belief system, and the traditions that have been flowing for
thousands of years,” he expressed.
Filmmaker Thejavituo Rio, whose short film ‘Angh’ won an
award at Clermont-Ferrand and was screened at Palm Springs, said that he has
made a bunch of short films that have had good film festival runs.
Candidly admitting to thinking “that anyone would be
interested in having to hear what I have to say is a bit baffling,” he said,
‘literature fundamentally, is storytelling, and storytelling has long been the
most powerful tool in preserving history, shaping cultures, and exploring the
human condition.’
“Once I started writing scripts, I became possessive with
what I was writing down, and I didn't want someone else to translate my vision
to the screen, and that's how I stumbled my way into directing,” he shared on
his journey as a filmmaker.
On Mehta’s views concerning the ‘raw and brute’ elements of
his films, Thejavituo responded that coming from the culture that Nagas have
and “considering all the swift transitions that our people had to make, there
are several themes that are inherent—traditionalism versus modernism, the old
versus the new.”
“Whenever I write, I think it's hard to sort of dissociate
myself from the world that I come from,” he emphasised.
On facing technical issues while shooting or making films in
Nagaland, he pointed out that “getting a lot of technical people here is the
biggest problem that we normally face. We don't have enough lights or enough
good cameras. So I think we're feeling our way into the film industry.”
Also, he shared that with Paatal Lok season 2 and Family Man
3 being shot in Nagaland, it's important that “we grab the opportunity by the
neck and make full use of the exposure.”
“We can have the equipment; we can have all of that, but
it’s extremely important to have people who know how to use these machines. And
the progress needs to go hand in hand—equipment and having the knowledge to do
so,” he asserted.
Mehta, while admitting that the Naga film industry is still
very young, announced that they are working on a policy on how to engage the
government more, get film producers to come, and provide support in terms of
infrastructure.
“These policies are being worked out, and later this month,
on February 27 and 28, we're going to have a film festival organised by the
state government in Kohima in collaboration with the Ministry of Information
Broadcasting,” he informed.
